dusk & black vel drop their first solo single on vinyl. its the unmistakable mangue style between tech house and progressive. remixes are coming from fabian schumann, mangue debutant phanton and raumakustik (ipoly music, grain audio).

med school hits release number 30 and proves it is still young at heart by introducing a fresh new artist to the roster. villem is a rising talent who specialises in bringing funk, soul and feel-good retro vibes to the deeper end of drum & bass. having already racked up releases on samurai, symmetry and ingredients, villem now brings his unique sound to med school.
with support from everyone including ulterior motive, flight, dj die, tc, nu:tone, fracture, foreign concept, total science, a sides, bop and many more, villem is a name you can expect to see a lot more of in the future. his “shimmer” ep is a collection of stylishly crafted tracks that encapsulate the med school ethos of innovative and progressive music, which the label has been championing for the past six years.

soundway present a slice of raw trinidad carnival roots with a progressive twist, courtesy of one of the islands most original and forward thinking musical minds of the post war period. on the flip highlife-techno pioneer drumtalk morphs it into a dark and twisted electro-tropical groove dripping with rolling distorted synth-lines and filtered vocals.
limited edition 12 inch release, including code for free mp3 download.

the project, conceived by colombian musician mario galeano, the force behind the band frente cumbiero, and english producer will holland aka quantic, brings together an iconic group of top colombian musicians representing both the classic and more modern styles of la musica colombiana!
ondatropica fuses traditional colombian styles such as cumbia, gaita and champeta with boogaloo, ska, beat-box, mcs, dub and funk to create a progressive album that re-interprets the tropical musical heritage of colombia with new approaches in composition, arrangement and production. artists such as fruko, anibal velasquez, michi sarmiento, alfredito linares and wilson viveros (to name a few) joined a group of younger colombian musicians, including members of both marios band frente cumbeiro and quantics combo barbaro, to (re)generate the excitement that positioned colombian music as one of the most influential in south america.

its growing desire to introduce this new ep from an upcoming artist a. skomoroh, who brings us a techno progressive sound with its own unique melodic danceable style!

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

fina records is therefore proud to present the riker ep - a three track cosmic delight from the man himself. title track >riker< is a warm, emotive, progressive number, interspersed with glockenspiel lines that would make lil louie vega jealous. in stark contrast, >geo< is a spacious, punchy, deep kicker of a house track layered with ghostly dropping baselines and shimmering echos. a futuristic deep house shoulder shaker for the terrace. on the <riker remix<, purveyor of new vibrations and rising star elphino (somethinksounds) delivers a driving house track, chopping up the vocals, and firmly stamping his own imprint across the basslines into an up-tempo designated dance floor record

reissue of one of the all time classic uk progressive rock albums from 1970 featuring flutes, organ, scorching guitars and beautiful harmonies.
re-mastered in the uk by gary ramon at third eye studios. pressing on heavyweight 180 gram vinyl.

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

freeform was produced and mastered with equipment mainly hardware. deep techno style with melodic, progressive and atmospheric punctuation. this second ep is also a self-production of jerome moussion (jm music).

with two of the alan parsons projects best songs, the lovely ballad >time< and the wavy-sounding >games people play<, >the turn of a friendly card< remains one of this groups most enjoyable albums. parsons idea, the subject of the albums six tracks, centers around the age-old temptation of gambling and its stranglehold on the human psyche.
music on vinyl is proud to present yet another beauty by these british progressive rockers on 180 grams audiophile vinyl.

supported by luciano, raresh, dop, karotte, ame, &me, m.a.n.d.y., tiefschwarz, martin landsky, alex niggemann. baalsaal celebrate their tenth release with their new single >tell them< by electronic production duo seconds. seconds are markus enochson and luciano leiva, two producers who met at a chaotic house party in stockholm, sweden. the ep features remixes by charles webster, who loved the track so much that he decided to do three remixes, covering various deep, minimal and progressive textures.

limited reissue of a very rare and highly in-demand 1986 12 inch from indian ocean, alias of late great disco legend and sleeping bag founder arthur russell. although russells original version on side a is fantastic in itself, the stunning abstract walter gibbons mix on side b is where its all at. with irrepressible madcap gibbons at the helm, the track mutates into a strangely subversive dancefloor odyssey way ahead of its time which still sounds futuristic today. with a raw sparse experimental sound, this progressive sonic journey rolls along for over 10 minutes pulsating with a jazz-influenced interplay of funk-heavy bongos, stabbing synths, off-the-wall vocals and russells trademark cello. one of the great moments to come out of the vibrant art/disco not disco crossover scene of 80s new york - dont miss your chance to bag a vinyl copy of this obscure gem.

bristols october (who teamed up with applebim to tear out a truly cold remix of skudge last year) comes with his own 12inch on the skudge artist series... 2 excellent tracks here - 2 moods, both heavy! tip!octobers new ep for skudge is one for the warehouse: both in nostalgic and progressive terms, october seem to have recorded the timelessness and his soul into the forth installment of skudge presents.

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

hush arbors and arbouretum have each been exploring for years now the intersection of progressive folk and psychedelic rock, albeit filtered through their own distinct sounds. it was only a matter of time before their paths would cross. keith wood and dave heumann met at a show in baltimore and discovered their mutual appreciation for each others music. the two bands planned a joint european tour, and recorded aureola to further showcase and celebrate their complimentary sounds.

following a 12 inch for doc daneekas tty, presk returns home to deliver his second 12 inch for fourth wave. delivering his most progressive and unique work yet, presks latest injects some fun into his synth-heavy sound, while deftly swerving the moodiness of his future-techno contemporaries. >hesitate / kook< marks the first release in 2012 for what promises to be another ridiculous year for new label fourth wave – an upcoming 12 inch from newcomer felix lenferink, and man of the moment gerry reds debut album are all set for release over the next few months.

two giant forces in dance music collide as guy gerber makes his first foray with the visionquest imprint. >the mirror game<, guys first original material since 2010, explores varying shades and tempos across two distinct cuts of progressive tech and electronica.

christian smiths tronic label enjoyed a fantastic year in 2011, persistently receiving plaudits from the media, scene tastemakers and the record buying public for the labels consistently first-rate output that consisted of a genre-blurring mixture of tech house and progressive flavoured techno floor-smashing grooves. since meeting in berlin during summer of 2011, christian smith and florian meindl have stuck up a productive studio partnership. having released their first collaboration - desire - via meindls flash imprint in december, this subsequent ep for tronic sees the duo take their corporation a stage further with a two tracks of slightly left of centre yet unashamedly peak-time tech house. mothership leads off the ep with a distinctive retro-electro bassline that builds into the main hook via a series of peaks and drops before taking off into a tweaked crescendo of high-pitched tones. red alert opts for a subtler approach, creating its simple but effective groove from jacking percussion and wobbly synth stabs, which pulse throughout, morphing to distorting and echoing in the break.

lisbons gala drop have been paving the way in recent years towards an aggregative, universionalist stance on the existentially groovy as a crucial vessel towards enlightenment and understanding amongst the human race. their music is an extremely transparent ongoing constellation of achievements, which transpires an enormous love of music as salvation, a progressive & deeply miscigenated conglomerate of obsessive empathy.

die blume is egokinds first ep and a good reason for us to celebrate. the twenty one-year-old now shows his broad repertoire with his 3 tracks. in comparison to his typically rather progressive sound, this ep is much more relaxed and a good foretaste of his great love for melody and varied sound effects.

from 120 to 135 bpm... mental acid techno. minimal and progressive. solid dark ambiance. bloody well done!

this release is first new mule musiq. catalogue number was jumped up to 147 ... barnt is cologne based producer which is known as a member of magazine (artist&label). we really loved barnt 12 inch and magazine stuff on their label and very happy new barnt 12 inch is released on mule musiq. original on a side is like a dark house remix of goblin (italian progressive rock band). if you like dubby techno sound like echospace or redshape, you will into this track very easily. on b side, one of the best artist at the moment vakula made warm deep house remix. its not necessary bla bla ... about vakula sound. ambient version is lovely bonus track.

dark and raw techno slammer! whether doing a live performance or dj set, or prodution richard jantz is no stranger to the stage. starting from bookings in the midwest, his music gave rise to shows from shore to shore in the states, then he took the midwest sound across the ocean to such countries as austria, belgium, england, france, germany, italy, switzerland, as well as many many more, he has reached an international status that few midwest producers have. richard pushes the known boundaries of electronic music - captivating you with profound and conceptual sets textured with acid, house, minimal, progressive, retro and techno, leaving you with a unique, thought provoking journey through his music. with 2 new tracks for jqm recordings we experience his rawest slamming straight up techno sound.

a double helping of killer cosmic rarities from legendary miami-based disco label t.k., bringing together two super-obscure cuts from 1979 - queen samanthas amazing progressive electronic disco odyssey >take a chance< and the heavy soul/funk epic >cosmic funk< from the wonderfully-named mad dog fire department. the queen samantha track is eight minutes of slow-burning disco bliss - a bubbling mid- tempo monster with awesome percussion, super-funky bassline and the queens glorious soaring vocals which caused mayhem on the dance&#64258,,,oors at mancusos loft and levans warehouse as well as being a fave on the early ny breakbeat/hiphop scene with afrika bambaata giving it some heavy rotation. flip over for mad dogs extremely hard to &#64257,,,nd >cosmic funk<, a grooving grinding low-slung workout featuring hypnotic chanting vocals and some wild synth action. remastered for top-quality sound, this double a-sider is a must for lovers of that heavy t.k. sound.

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

in recent years, there has been a lot of exciting stuff happening in the russian house scene. established names, but also, a string of new talent have been making waves upon waves with some of the deepest tunes around. one of the prime examples of this are the productions of the progressive and talented producer kirill tipo. a saint petersburg native whos set to make his vinyl debut on our third release with a 3 track ace compilation entitled >believe in rhythm<

the inaugural release on prism comes courtesy of jon phonics, fresh off the back of his debut appearance on vinyl with the essential >bruck out/the one< 7 inch on chakra sounds.
never one to rest on his laurels, jon now presents the >grid games< ep. this instrumental, progressive project is a nod to his more leftfield influences forging elements of electronica, 2 step and bass music.
the vinyl features collaborations with s-type (luckyme), jeeks (civil music), pete cannon and bug alongiside remixes from kidkanevil, ghost mutt and pedestrian.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

chasing voices returns for its 4th installment with an audacious reiteration of the projects uncompromising ethos and technique. >valley of the dry bones< operates on the peripheries of club music and far-sighted rock mutation, death march-disco for the ever-present sunburn of daily scourges and musical apathy. prospering from plentiful sentimentally-tinged stabs and a breathtaking, slow-churning progressive disintegration, >valley of the dry bones< hits intuitively and suddenly, a bent and bruised anthem for problematic times. despair can be celebrated, and celebration can be despairing—if anything the nyc collectives latest bomb seems to stem from a need to revive the cannibalism of a movement that has grown weary of its own cliches, to dissect itself and hopefully come out the other end better and new?? albeit scarred and never quite the same.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

akashic recordings presents the second album on vinyl. on board are akashic project with >maniac< & >i want to believe<, akeem & 4 takte with >class of 81< & >the way<. enjoy a mix of progressive and dreamy techno. check it out!

michael kohlbecker is a music producer and dj of the first hour.in 1989 he released his first big hits to sony music/dance pool. 1994 he have his international breakthrough with the project eternal basement on sven va&#776,ths legendary label harthouse. it was followed by numerous productions and remixes on national and international labels such as lasziv atomic records magnat qube records and five d spirit zone & millennium records. then the film and advertising industry get attention of him and he makes numerous productions for them. and now,almost 20 years later he is back with his project eternal basement and its always on the label harthouse,but now its based in mannheim.with momentanian he gives us a amazing 3 tracker with techno at its finest. momentanien on the a-side is a progressive flowing techno tune with a cool filtered hookline.

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

full crate is at the forefront of dutch progressive electronic music. red bull music have acknowledged his talents having invited him to their academy. since the buzz, which started in 2009 with his independent free release of >she was fly<, full crate has worked with the likes of eric roberson, ab (black milk), ntjam rosie, daru jones, jesse boykins iii and remixed chris turner and steve reich.
this year has seen full crate has perform at sold out venues from new york to london alongside vocalist and old friend, mar. the ongoing buzz has fans salivating for new music. and new label wonderful ear are very pleased to fulfil this need with their debut release >golden glasses<, a very limited edition, hand numbered 10inch where full crate takes the listeners to the dance floor in his own sophisticated, groovy way.

with marc poppcke s >mind revolution ep< we are proud to present crossfrontier audio s first artist ep, the second vinyl release, and the last release in 2011. after releases and remixes on labels like freerage, defected, soma and darkroom dubs and finishing his masters at the berlin university of arts, crossfrontier audio labelhead marc poppcke delivers his frist full artist ep in 2011. with a touch of house, a hint of progressive, some techno on top and everything garnished with a whiff of melancholy, marc brings us four tracks displaying his taste in music and his love for four-to-the-floor electronic club music. the tracks on this ep send you on a journey, perfect for the late hours of the night. he takes you up to space, spins you around, and brings you back down to earth with the drop, leaving you tumbling and now knowing where you are. just like it should be.

here we go with the 2nd release on circle music of the belgium michael coninx alias hermanez. this talented young belgian is both in good company and is fast earning the respect from his peers that many producers can only dream of, with releases on paul ritchs quartz imprint and release >nicotine/soms< on leena music, anja schneiders imprint, plus hermanez remixes for la factoria, and monique musique to name a few. now, after the big success of his first release on circle >locomotive< he will be back with the second one, the >spank ep<, on the mannheim german based label. the a side brings us spank. a groovy and tribal house tune who will rock the floors. the b side with stomp is more progressive and a little bit techno. very cool for every maintime set! circle music is very happy to release this nice piece of clubmusic!

after successful remixes for oliver koletzki, niko schwind and animal trainer, its björn störigs turn to deliver the goods on his first solo ep, >humming top<. and boy, does he deliver: the fresh youngster presents high-calibre musical house, spiced up with funk, disco and jazz aesthetics. title track >humming top< doesnt waste much time: crisp percussive elements are laid over a beefy bass-line from the get-go, while a progressive piano melody mingles with a distinctly vintage synth.

a progressive tech-house outing for j alexanders latest release. phased is giving a deep house reworking by talented berliner alex q. very deep, warm and moody… friends electric records delivers again!

as the summer comes to a close, italojohnson releases its fourth release thereby urging party people to get in the dancing swing once again. on the long recorded side, you will find a progressive house track that can be hardly surpassed in any type in its directness. an unfussy arrangement, a straight oppressive subject and a low flying breakdown compose the a-stamped side. the sincerity of the first track of the flipside doesnt come short of any expectations. the concrete in-your-face-drumming, piano lessons and stabbing strings combined with the italojohnson charm becomes the (double a) aa-side. why? because italojohnson doesnt do b-sides. finally, the aa-2 track emotionally rounds up the release with italojohnsons trademark-sound in which all the brothers and sisters are invited to explore. make love!

!!!mixmags tune of the month 5/5!!!
bot ox guys, cosmo vitelli and julien briffaz, perfect pair of its kind, return where they somehow belong: the dancefloor of a club. their remixes for other artists - logo, aladdin and even the unexpected toxic avenger - showed their soft spot for dancing, lately. this pair of tracks brings something special as they feature the foremost poets for the vocal part.. a figure of the underground dance music wall of fame, the foremost poets aka johnny dangerous is also a voice that techno and deep house lovers keep in a corner of their imagination: >i ll beat that bitch with a bat<, >reasons to be dismal<, >moonraker<, >pressin on<.... two versions of >perfect pair< are proposed along the most classical standards: an >original< one and a >dub< 13-minutes one. each of them have their own progressive, undated flavor

you may have listened to fred de f productions with recent dance artists collaborations (adi-ermane - need each other, fred de f & luke jeferson - sankukai). new release cloud is still marked with fred de f touch and a distingtive radioactif musical flavor.
fred de f original version is progressive, ultra-bumping, inspired from spanish soundings. the version releases body-heat and energy. great track for dancefloors. tom donax composes an aerial remix and explores a different universe: breakbeat soundings, vocal inspired from the nineties and presence of pads break the rhythmic bringing the record a nice equilibrium. cool version for a home listening.

out 3rd of oct since 1993, sam paganini has released a refined brand of deep techno thats won him support from the likes of marco carola, timo maas and paco osuna. furthermore, his progressive techno offerings like >zoe< or harder efforts like >strobe< have also become chart topping fan favourites. as such, 2011 sees plus 8 come calling for the revered italians sounds

andreas schulz, (which is andycaps given name), has never been afraid to try new paths, which is highly noticeable in his music. with passionate love for electronic music, he creates an exciting and creative mix of everything from house to techno, and he has released multiple remixes featuring different styles and artists such as steve angello, boeoes kaelstigen, turboweekend, new moscow and others. in 2009, andreas moved to stockholm, sweden, in a quest to focus entirely on his music. this relocation has so far generated a resident dj position at lilla hotellbaren in the form of a weekly house club, called musikbiblioteket (the music library), and a part in the creation of a new music project called caviar. in his latest release for onepush recordings he is moving from electronica to deep house with an ease that you find only in studio veterans >natura< is an electronica masterpiece flirting with deep and progressive grooves with much style and authority.. a must have for all those who want to put some emotion and some colour to their summer sets. complimented with a massive remix from italian house masterminds alexander fog and alberto drago for the vinyl version of this ep. >happy tears< takes you to a journey into the deep with melodies that stick and moving beach house grooves. >agua< takes the rhythm up a notch in a bleepy, techie and appealing way. as does >voyage< taking a more progressive approach by building up on a massive groove and letting the driving baseline, the synth bass and the synthesised pads take care of the rest. a complete pack from an artist you should keep an eye on…

third release of russian house label grusha music run by alexander karpekin and mikhail vengerov. >kazantip intro< by vengerov was an official intro tune of kazantip republic in 2010 (z:18) - big room progressive track which opened this massive, worldwide-known festival of electronic music and extreme sport. >kazantip intro< single completed with stunning remixes by international dance music stars - da fresh (toolroom, 1605, definitive, highway, freshin), lissat & voltaxx (ministry of sound, toolroom, hotfingers, spinnin, ultra) ss dj exodus & leewise (nervous, star 69, ultra) and swanky tunes & hard rock sofa (size, axtone, cr2, spinnin, mixmash).
supported by mark knight, funkagenda, dave seaman, groove armada, umek, tom novy, marco v, gareth emery, jerome isma-ae, graham gold, butch, lissat & voltaxx, da fresh, sergio fernandez, cristian varela, paco osuna, daniel sanchez, slam, ahmet sendil, amo + navas, anderson noise, flash brothers, graham sahara, christian cambas, darin epsilon, luke porter, paul hazendonk, federico epis, chris ward, spartaque, ron may and many more.

the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

nice price deal !!! slamming big room styled progressive house anthem

play records presents an ode to the anthemic house track from 1989 by joe smooth called promised land. billy newton-davis reinterprets joe smooths original unifying call for all humans to get together as brothers and sisters. billys amazing new vocal refresh is voltrond with 4 equally fantastic remix productions by a star studded cast. david jones – chunky disco tech festival stormer, check. manuel de la mare – big room arena progressive heat seeker, check. calvertron – massive electro and dubstep cranium splitters, check. crazibiza – house shakers sipping coladas, check. melleefresh – deep house backroom lets get naked mix, check

outstanding electro vinyl release ... keep electro music alive. no problem with music like this. vinyl comes with fantasic science fiction artwork